British rockers The Cult are on tour celebrating the 30th anniversary of their beloved album A Sonic Temple and will bring their tour to Port Chester, New York on Saturday, December 7th for a performance at The Capitol Theatre as this U.S. leg of the tour wraps up.
If there is ever a chance to see the band play, it’s not only at the historic and always beautiful Capitol Theatre, but also when the band is playing their beloved album A Sonic Temple.
There are still some tickets for the show remaining – which you can grab right here while they last. We hope to see you there!
Jukebox the Ghost are getting in the Halloween spirit with their HalloQueen concerts on a six-city mini-tour, the most they’ve ever done in a year. The indie-pop trio are splitting these October shows into a set of original songs followed by another set of covers while they’re dressed as Freddie Mercury (played by vocalist/keyboardist Ben Thornewill), Brian May (played by vocalist/guitarist Tommy Siegel) and Roger Taylor (played by drummer Jesse Kristin). They even recorded some studio versions of their Queen covers (“Under Pressure”, “Somebody to Love” and “Don’t Stop Me Now”) to hype up their fans for the gigs. Ahead of Jukebox the Ghost’s headlining show at Webster Hall, I caught up with Thornewill about all things HalloQueen,
Some of the questions have been edited for brevity and clarity.
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Q: To start off, can you tell me about the first time you listened to Queen?
A: It’s so funny. I think I probably had a similar [experience] everyone else did of our generation. It’s just a part of growing up, it’s just the music that you know. And “Bohemian Rhapsody” is a song from Wayne’s World. All these other songs are at sporting events. So I actually don’t remember the first time I encountered Queen.
I remember in high school stumbling upon the Greatest Hits and thinking, “Oh my god, how are there this many incredible songs by this band?” And that’s been the experience we’ve had doing these shows. We keep adding songs and changing them out. No matter what we play, it’s hit after hit after hit.
Q: How have the couple early HalloQueen shows been?
A: Fantastic, awesome. The first one of each year is a little nerve-wracking because I’m shaving the beard into the mustache for the first time, and we’re playing new songs. We haven’t done it for a year. So that’s always a little stressful, but we played in Austin on Friday and Seattle on Saturday – and they couldn’t have gone better. Smashing shows, totally packed, people were in costume and freaking out, and we had an amazing time.
Q: I heard there are three new cover songs in the set?
A: Yeah, three new songs. We may have switched one of them out for an old favorite because it didn’t get the response we wanted. But there’s still new stuff happening in the set for sure. We’re still being cryptic about it, I guess.
Q: The costume contest is a big part of these shows. Can you think of any especially memorable costumes?
A: It’s funny, I have two answers to this. One is, I’ve never gotten to watch the costume contest. Because while they’re parading across the stage and voting and everyone’s screaming and clapping, I’m trying to change into my Freddie Mercury outfit and get ready to be Freddie. So I never actually get to watch it, which is such a bummer.
So I usually go back and look through the socials and find out who the winners were. There was one some years ago, and a girl just dressed up as fish. Not like a Nemo, not like anything – just a fish. For some reason, everyone just latched ahold of it. It was not the best costume. It was not the most creative costume. It was the dumbest costume onstage, and it was 700 people chanting, “Fish! Fish! Fish! Fish!” So I remember hearing that and seeing the picture: “Oh, that’s a girl in a fish outfit. Cool.”
Q: I remember a few years ago in Brooklyn, the winner was a guy dressed up as “Juicebox” the Ghost.
A: There’s usually a couple Jukebox-related puns, and then usually somebody dresses up as me or Jesse. That seems fairly common too, in a really nice way.
Q: Can you tell me about the inspiration to do HalloQueen for the first time?
A: Jesse, the drummer, came up with the name: “Guys, I’ve got a name for a show. It’s called HalloQueen. We do a full set of Queen for Halloween.” We had learned like four or five Queen tunes at that point just ‘cause we wanted to and for playing the shows. He was like, “If we learn three more songs, we’ve got a full set.” And then it was born, and it’s taken on a life of its own.
Q: What was the first Queen song that you learned how to play?
A: “Bohemian Rhapsody”! We did “Bohemian Rhapsody” in college, even before we’d come up with the band name Jukebox the Ghost. I’d completely forgot about that because it was so audacious. We had no right to be doing that. We sounded nothing like how we do it now. We learned that back when we were 19, 20.
Q: Do you have any favorites of the Queen covers to perform live?
A: “Bohemian [Rhapsody]” is always a trip. I play bass on “Crazy Little Thing Called Love” and “[Another One] Bites the Dust.” So that’s really fun for me to play the bass. I play drums on “Fat Bottomed Girls”. Honestly, every song is a blast. I know that sounds like a cop-out, but I’m either playing piano, up dancing around, playing bass or playing drums and all the while dressed up like Freddie Mercury – and it’s so much fun.
Q: Can you tell me how Queen has inspired Jukebox the Ghost, either in original music or performance?
A: The Queen influence on our music actually happened in a roundabout way. People for so many years would say, “You guys sound like Queen.” When we were actively trying not to sound like Queen. Then maybe four or five years ago, we’re doing these Queen tunes, and everybody keeps saying it. Obviously we’re inviting the comparison. And we just thought, “Screw it. Let’s try to sound like Queen a little bit.” So you heard that a lot on our last record, like with the bridge of “Everybody’s Lonely” or “Jumpstarted” or some of these songs that are a little more adventurous and a little more out there.
For me as a performer, being able to run around and sing and have the microphone like that. I’ve integrated that into our set a little more, some more freedom to roam around.
Q: Are there any Queen deep cuts that you could envision covering?
A: We learned “Death on Two Legs” for this tour. Do you know that tune? That’s a deep cut that’s awesome. It’s super metal. It’s really fun. We only play 1:40, 2:00 of it. And that was the one we played in Austin, and it just didn’t get a response. So we’ve found that we can sneak ’em in. If it’s something that people won’t know, we’ll do a sample of it, just to give ’em a taste. For the most part, they’re not coming to hear the Queen b-sides, the deep cuts. They wanna hear “Bohemian [Rhapsody]”. We wanna play “Bohemian [Rhapsody]”. And we’re gonna make it a party.
Q: You have a band cell phone number that fans can text. Have you gotten any good HalloQueen-related questions?
A: It’s so funny, most of that is people being like, “Is this real? You’re screwing with me, right?” There hasn’t been a ton of richness of questions yet. So hopefully we’ll get into some more deep conversations. But it’s also a little overwhelming because at any given time there’s 2,000 text messages awaiting response.
Q: Have you seen the Queen + Adam Lambert tour?
A: No, I haven’t. And I don’t know if I want to. I want to for the sake of doing it, but I don’t know what my emotions would be about that. I have very mixed feelings about the Queen movie itself, so I want to maintain some of the shine and glamor of the unknown of the band.
Q: Tell me about your thoughts on the movie.
A: I hated it [laughs]. Hated it, hated it! It’s funny, Jesse, our drummer (who’s the biggest Queen fan of the band), loved it. For him, he was looking at it like, “Are they gonna check all the boxes of the Queen history?” He’s checking the outfits are in chronological order and the albums are in the right order and who wrote “I’m in Love with My Car”. He loved all that nerdy stuff. For me, I wanted to see all the messiness of Freddie Mercury and the reality of the band. And I just didn’t feel like it was there for me.
Q: If you could collaborate with any of the living members of Queen live, who would it be?
A: It would have to be Brian May, right? Just to get those guitar licks. And his guitar writing is out of control. And I would just love to see him and Tommy nerd out and play together on guitar. ’Cause Tommy’s playing those licks in his own way, and I think they could do something real cool together.
Q: Do you have a favorite memory from a past HalloQueen show?
A: My strongest memories are of the first HalloQueens when I didn’t even know how in character I was gonna be, what I was gonna do, if I was gonna talk in an accent. Just getting up there and trying to embody the bravado of Freddie. And I attempted it and loved it. It felt for the first time like I was doing theater, like it wasn’t me on stage – it was me playing a character. And I really loved that.
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Jukebox the Ghost will play the NYC edition of their HalloQueen concert at Webster Hall on 10/26, with doors opening at 6:30 p.m. Tickets are sold out from the venue but are still available on Stubhub.
The boat show is always a good time but this is their fifth and final boat show which means it’s your last chance to rock out with these guys on a freaking boat. Not only that, but there’s an open bar, photo booth, and plenty of other reasons why you should grab one of the last remaining tickets for the show right here.
We hope to see you there. Stay tuned for our coverage of the show coming very soon.
Last weekend The Flaming Lips returned with their 15th studio album King’s Mouth via Warner Records.
They’re currently on tour in support of the new LP, which includes a performance next Tuesday night (July 30th) at The Capitol Theatre in Port Chester, New York.
Not only do they play, but the opening set will be a powerhouse of talent as well, including The Claypool Lennon Delirium and Particle Kid (J. Micah Nelson, son of Willie Nelson).
Tickets for the show can still be bought here. We’re looking forward to seeing The Flaming Lips bring their colorful and extravagant live show to Port Chester and hope to see you there.
Last month Seattle folk outfit The Head and the Heart returned with their new album Living Mirage via Warner Bros. Records/Reprise Records. They celebrated its release day with an intimate performance at Bowery Ballroom and will return this Sunday with a much larger showing in Queens at Forest Hills Stadium.
The show, which is the inaugural year of the ALT92.3 Summer Open, sports a lineup that will also feature performances from Young The Giant, Fitz & The Tantrums and Chris Carrabba of Dashboard Confessional. It will be a great diverse day of music that will go perfectly for a nice summer day at Forest Hills.
There are still some tickets available for the show which can be found here.
The National have kept my ears plenty busy for the past month with the release of their lovely new album (and short film) I Am Easy to Find (via 4AD) and gave us a few sneak peaks of the new music in the live format with a memorable performance at Beacon Theatre and a slightly more intimate one at the iHeartRadio Theater.
Next week the band returns to us lucky New Yorkers once again for two nights at BRIC Celebrate Brooklyn! Festival at Prospect Park Bandshell as a part of their proper full tour in support of the album which includes an opening performance from Courtney Barnett on both nights. Not a bad way to spend an evening in Brooklyn, eh?
Tickets are sold out for Night 1 on June 12th but there are still some available for Night 2 on June 13th, at least for now. So move quick, and we hope to see you there!
MGMT are still touring hard in support of their delightful 2018 album Little Dark Age that will bring them back to New York next week.
On Monday, May 20, the band will stop into Port Chester, New York for a performance at the prestigious Capitol Theatre.
This is the band’s first time playing in New York since their two-night run at Brooklyn Steel and will feature an opening performance from Warpaint and will be a much different show experience than the band’s upcoming Webster Hall dates that will follow.
You can still find some tickets available to buy for the show here and stay tuned post-show for our coverage.
They’re still touring hard in support of the album, which includes a stop in Port Chester, New York for a performance at The Capitol Theatre this Sunday, February 17th.
Some tickets for the show are still for sale but don’t sleep, these guys always bring a show-stopping force that shouldn’t be missed.
Danish pop singer MØ is on tour in support of her album Forever Neverland, released last October via Columbia Records.
will return to New York this Saturday night for a performance at Hammerstein Ballroom, her biggest headlining performance here to date – certainly much bigger than when we saw her play Elsewhere back in September.
You can still find some tickets for the show for sale here and enjoy her performance of “Blur” on Jimmy Fallon the other night, which you can watch below.
Earlier this month Australian indie pop musician Georgi Kay recently released her new album Where I Go to Disappear via Monoki Records. She’s currently on tour supporting the album opening up some tour dates with Peter Bjorn and John, including their sold out performance at Rough Trade NYC on Friday night.
It will be a great 1-2 punch featuring two very different forms of pop at work but a combination that should be a dream for all those lucky enough to secure a ticket.
Stay tuned for coverage from the show right here in the days following the show. We can’t wait to see what kind of night that Kay and PB&J have in store for us.
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